Three poets from Lahore (Kishwar Naheed, Afshan Sajjad and Khalid Javaid Jan) and four from Glasgow (Jim Carruth, Vicki Husband, Kathrine Sowerby and Gerry Cambridge) workshopped and created new translations (or ‘transcreations’) of each other’s work. Meanwhile, Sara Kazmi and I were in the next room bringing together a musical collaboration using songs, text and tunes from our respective folk and lyrical traditions. We performed at the Mitchell Library and Southbank Centre, and had a wonderful time. I loved singing with Sara! Plans are afoot for a project reunion. Thanks to everyone involved for a great week, and fingers crossed it’s not too long until the next time.
It’s been a busy old month. First up were Admiral Fallow’s three album preview shows in London, Manchester and Edinburgh. It felt great to play the new songs live and be touring again (even though it was only for three days this time around). Here‘s a lovely review of the Manchester gig.
Then I spent a week in Northumberland playing ten solo concerts in care homes and day centres for the Live Music Now scheme – lots of lovely moments, singing, percussion, foot tapping and dancing!
I arrived back in Glasgow on 14th March, and rehearsals began in earnest the following day for The Glasgow New Music Expedition‘s first launch concert at the Royal Conservatoire of Scotland. With Richard Greer as Artistic Director and Jessica Cottis at the conducting helm, we premiered six new works by Scottish-based composers last Saturday night. Here‘s a positive and thoughtful piece from Ken Walton about the ensemble and its first outing.
It was then time to put the final touches to the setlist for my first solo headline gig in a while, which took place at The Music Hub, Penicuik. Organised by Burnt Out Records, a music label and promotions agency run by pupils from Penicuik High School, it was a really lovely night. The whole team did a great job. Special thanks to Sophie Burt, Holly Taylor and Caitlin Andrew for performing too!
Celtic Connections was a whirlwind this year! I’d six appearances in different guises: with Bella Hardy (Mitchell Theatre), Inge Thomson‘s Da Fishing Hands (Tron Theatre), in a duo with Fiona MacAskill (Art Club and festival club) and solo (Oran Mor and the Late Night Sessions). It was great to be in the audience for the opening concert’s mighty orchestral realisation of Martyn Bennett‘s seminal album Grit, Sam Sweeney‘s poignant Made In The Great War, the colourful Elizabethan Session, Ian Carr & the Various Artists in joyful quirky mode and Siobhan Wilson’s graceful New Voices gig to close proceedings. And, as always, to catch up with pals at the festival club…
I’m back at Gran’s House Studio this weekend for the final two days of tracking my New Voices album, Woven, before it’s mixed by Iain Hutchison next week. It’s a really exciting time just now, pulling together artwork ideas, updating the release plan and generally faffing about on Pinterest making moodboards.
It’s also action stations at Admiral Fallow HQ as we prepare to release our third album. First single Evangeline streaming here.
There’s a couple more projects in the pipeline: a new band playing Northumbrian music (more on this later) and the first launch of contemporary classical chamber ensemble, the Glasgow New Music Expedition.
A couple of my good friends and favourite musicians are up to exciting things at the moment: Hannah James and her new project Jig Doll and Jennifer Austin‘s adventures in Mumbai…read, share, check back for updates on their beautiful work.
Happy New Year, everybody!
I’ve had a lovely few weeks. On 21st December I was part of a reunion concert at Sage Gateshead, led by Eliza Carthy and celebrating 25 years of the Folkworks Youth Summer School. It was a twelve piece band of former Summer School participants – some of whom I hadn’t seen for a good few years! We had a day and a half to put together a concert’s worth of material, showing a bit of what we’re all up to now and with a nod to some classic Summer School tunes and songs along the way. It was great to catch up and play music with everyone, and there was a real celebratory atmosphere.
Then there followed a blur of after eights, jaffa cakes and cheese.
And yesterday the new year began with Scot:Lands, a multi-venue performance event happening throughout Edinburgh for its Hogmanay celebrations. I spent the day at the Assembly Roxy, looping a concert called Heart:Land with Roddy Hart and the Lonesome Fire, Withered Hand, Tommy Reilly, Andrew Mitchell and Alice Marra (The Hazey Janes) and some lad called Louis Abbott who I can’t seem to shake off. A lovely way to start the year! Here’s an end-of-show photo, stolen from Roddy:
Tomorrow I’m heading back to Gran’s House Studio with Fiona MacAskill and Mairearad Green for the second instalment of my New Voices album recording, with a few more days booked in for early February. Really looking forward to hearing the tunes coming together with the rhythm section parts laid down by Phil Hague, James Lindsay and Ali Hutton back in November. So stay tuned for more updates on Woven in the coming months..
Take care and all the best for a happy, healthy 2015 x
On New Year’s Day, Louis (AF) and I will be appearing at Scot:Lands, a series of performance events happening throughout Edinburgh as part of its Hogmanay celebrations. The afternoon features dozens of artists across ten themed stages around the city. Ours is ‘Heart:Land’, presented by Roddy Hart:
“Curator of the famously fabulous and ongoing “Roaming Roots Revue”, Roddy Hart, one of Scotland’s key (musical) players assembles a stellar line-up of brilliant and emerging home-grown musicians playing both material inspired by a place and paying homage to the great songs that connect them to their Scottish roots. An afternoon of hope and nostalgia, a unique journey into the Heartland of Scottish contemporary music.”